Spring means beginnings

bird's egg by simplerich
bird’s egg, a photo by simplerich on Flickr.

Spring is here in Iowa late this year and while the temperatures say spring the summer storms we, and the country are getting say that summer isn’t far behind.

I’m still on my vacation and enjoying it still. I got a kayak and have enjoyed kayaking on local lakes, creeks, and soon, rivers. (Not super soon, rain = flooding & rivers are deeper than creeks. I’m enjoying myself but I’m not foolhardy!)

But, my vacation needs to wind up soon. I’d told myself I’d take a week of camping before I ended the vacation but the weather hasn’t cooperated in giving me a week of warm without days and days of rain. Last week was warmish but this week is raining, storming. Soon, though I need to get back to the working world. I haven’t missed it yet. I’d wondered if I’d be bored after almost a quarter of vacation. I haven’t been bored. I’ve travelled. I’ve read. I’ve written. I’ve taken up a new hobby and quit a bad habit (smoking, as of right now it’s been over 15 days since I shoved a cigarette in my face.) I’ve been hiking, walking, and exercising in an attempt to minimize the weight gain during my quit and while I’ve gained 5lbs I don’t see it getting to be much more than that. I’ve gotten closer to friends I’ve made recently and re-kindled friendships & familial relationships that had fallen to the wayside over the years as work kept me out of town and away from friends & family. What I haven’t done is become bored.

Someone said that boring people are the ones who get bored. My lack of boredom so far seem a good indication that I am, perhaps, not a boring people. That’s encouraging to me. I’ve wondered.

One of the things about taking all this time off is a little bit meta in that I’ve been that guy that works at that store for almost 20 years. Finding how who I am without the job has been fun and honestly, I was a little worried I’d have an identity crisis. Perhaps I did a bit and that’s why I haven’t been blogging as much as I sorted out who I am if I’m not my work. Because the job’s gone and I’m still here.

What’s the future hold? I’m not sure. I am sure that if I took a job tomorrow I’d like it to be one in which I am a cog in a much bigger machine. I want to be a little spinning gear and not one of the driving gears. I did my time as the motive force behind something giant and it was good and I was good at it. I want to go somewhere though where I can start at the bottom, or at least lower down, and work my way up. I’m pretty frugal as exhibited by my being able to afford to take this long off work without stressing over money, so I don’t need a lot of money. I learned a long time ago from something I read that there are two ways to be rich either make a lot more than you spend or spend a lot less than you make. I’ve done both and fortunately I learned how to do the second before I had to. There’s a lot of freedom in that.

So, I’m still here. I’m happy. I’m getting ready to start looking at doors to see which ones I want to step through and I’ll keep you posted. I’ll post more frequently now. I took some time away to be me for a while and now that I’ve settled that, as existential as it sounds, I think I’m ready to be me here too. I was worried if I were coming back here too often I’d relapse into old-me. He was a good guy, but he’s gone now. The new me isn’t necessarily new & improved, just new & different. I’ll let you decide if you think he’s improved or not. For myself? I’m happy with me now and I’m happy with the years I put in at the old job. They were good years and I did a good job at it. I don’t regret it.

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Camp NaNoWriMo

I’ve been writing a lot this month for Camp NaNoWriMo, it’s the spring version of National Novel Writing Month and it has the same goal. Fifty Thousand Words in a thirty day month.

I’m a little behind where I should be. I need to write um… 17,000 words in 8 days.

That won’t be the end of the book, but it will be the end of the project.

The working title of the book is Hard/Drive and it contains scenes where the characters are telling stories themselves. Think Inception, but without the suitcase.

Here’s one of them, told by John. Those of you who remember John from Jump/Drive will think to yourselves, “There’s no way he came up with that story himself. It’s completely unlike him!” Don’t worry. You’re right. You’ll find out soon after Caleb calls bullshit to that being John’s original story that it was one John’s girlfriend told him. Here you go.

Once upon a time on a trail through the woods two men were running side by side. They wore black running shorts and Vibram five-fingers running shoes, the ones with the toes in them. On either side of the dirt trail tall trees grew forming a leafy canopy overhead. They could hear squirrels chittering at them as they ran, and occasionally they would startle birds out of the bushes. They ran for long minutes, their strides perfectly matched as they ran through the woods together, their breathing matched as perfectly as their pace did.

Ahead they could see the path turning slightly to the right and they turned to find the trail opening into a clearing. They slowed and stopped, standing in the clearing. One side of the clearing was lined with yellow flowering wild roses and the other side was lined with red wild roses. The clearing smelled strongly of the roses. “This wasn’t here last time was it?” Mark asked Matthew.

“No. I’d have remembered this. It looks like it used to be someone’s garden that went wild. But how? It wasn’t here two days ago,” Matthew looked around the field and walked over to the red roses and picked one. The bloom was small, no bigger than a poker chip. He held it to his nose and sniffed it. He could feel his sweat cooling on his skin. The edges of the clearing were cast in shadows while the center of the clearing, covered in a low growing clover was lit in the full light of the noon sun.

Mark walked to the yellow roses and picked on and with a hissed, “Shit!” brought his finger to his mouth where he sucked the blood from his finger. “The thorns on these are a bitch.”

“Weird, the red ones don’t have thorns. Oh.” He looked closer. “There are thorns, but they’re big and soft, they bend but don’t poke. Weird.”

They each smelled their flowers again and dropped them onto the ground, “Let’s keep going. We’ve got another few miles to do,” Matthew said.

He looked around the clearing, “Where did we come in at?”

Mark looked around the clearing and he couldn’t see the path coming into the clearing either. “I don’t know. I thought it was…” His voice trailed off as he turned slowly looking for where the roses change from red to yellow but the gap that had been where the change was at was gone now. Instead of two walls of roses, red on one side, yellow on the other the roses were mixed now with yellow petals with red hearts. The inside of the petal was red and only the outsides were yellow.

Matthew tried to push through the roses and pulled back a scratched and bleeding arm, “Ow! Dammit! It’s too thick. I can’t get through them.”

“This is stupid. There has to be a way out. We came in through…” Mark looked around, “Over there?”

A breeze stirred the trees overhead and swirled the rose leaves and petals. The smell went from heady, to too sweet, to cloying, and finally to literally intoxicating and the two runners found themselves in the center of the clearing sitting in amongst the clover dizzy and dozing.

When they woke up the sun was gone and the sky overhead was dark but for stars and the path of the Milky Way, a smear of stars across the sky. The moon wasn’t out but the light of the stars lit the clearing enough to see the dark edges of the wood and make out each other against the darker black of the forest around them. The air was warm and the smell of the roses still hung in the air but not as heavy as before.

A light flickered in the wood, a pale blue light. Matthew clapped Mark on his shoulder and pointed. Mark nodded that he had already seen the light and they watched as it approached. The light grew closer and brighter as it entered the clearing, it lit the rose bushes as it passed over them and they saw that the roses had closed in the night so there was no sign of the flowers. In the center of the light a lady dressed all in blue, with long black hair that fell down her back, at least passed her shoulders where they could see it coalesced out of the light and the light seemed to contract around her as she formed leaving just her and a flickering nimbus of blue flames that danced and flickered around her.

They watched in stunned silence as she extended her hands to her sides and the roses on either side of her, and of the clearing began to glow, red on the left, and yellow on the right. They parted then and the light moved along the rose bushes to outline the shape of two younger women, one in a red dress with brilliant blond hair and the other in a yellow dress with fiery red hair that tumbled in tight curls to frame her face. Green eyes, the color of the clover they sat among looked at them interestedly from both beautiful faces.

“My daughter Miranda,” the lady in the blue dress said indicating the blond haired lady in the red dress, “Will love you and be devoted to you all of your life but you will never be able to love her as much. You will only ever feel a friendship for her, nothing more.” The red-dressed lady looked at both of them and smiled. “My other daughter, Sarah, will be your loyal friend until the end of your days but you, should you choose her, will love her and only her forever. Which of them would you choose to guide you from this place and be with you as friend or unrequited love?”

Matthew looked at Mark and said, “Neither?”

“You can have a loyal friend to stand by you for all time, or someone who loves you more than they love themselves. Would you not want one of these? Are they not beautiful? Does not every man want a loyal friend or a person to love him always?” The lady in blue asked raising an eyebrow at Matthew.

“Can we learn to love her?” Mark asked looking at the blond in the red dress.

“If you choose her she will love you always and none other. You, however, will love others and never her,” The lady in blue said.

“That sounds pretty miserable for her.”

“To love someone is never miserable is it? Love conquers all. It gives hope. It adds zest to life. Would you deny my daughter that?”

“But… wouldn’t she be unhappy to see me,” he pointed at Matthew, “or Matthew love someone else?”

“What has happiness to do with love? Do not all mean yearn to be loved? With all their flaws and shortcomings? To be taken as they are and still accepted and loved completely by someone?”

“No. I don’t think so,” Matthew said.

“What of my other daughter whom you will love and desire completely for all your life?”

“That sounds worse!” Mark said, “To be friend-zoned forever? Without hope of getting out of there?”

“With love there is always hope. Perhaps you will believe you can prove your love to her and change her mind or that you can perform enough favors or deeds to earn her love from her. Would not the challenge to be loved back as completely as you love her be a challenge worth taking?”

“But you said it would never work, that we would never be loved back as completely as we love her.”

“That is true.”

“Then… it would be for nothing.”

“Love is never for nothing,” The lady in blue said. Her voice sounding sad.

“This sounds like a terrible choice. Isn’t there another choice?”

“Perhaps a companion that you neither loved nor cared about but to whom you were inextricably linked?” She asked.

“I was thinking more like someone with whom we could be friends and also love,” Mark said.

“Ah, there is one such as you ask for. You ask for too much to be just given as a gift though. Such a one as you ask for must be sought after yourself.”

“Unless they are here in this clearing though we probably won’t find such a one. The roses won’t let us pass. We are trapped here,” Matthew said. “Can you cause them to release us?”

“I could. But I won’t. When you find the one you say you want, then the thorns of the rose will present no barrier to you. Until then stay a while here in the safety of my garden.” The two daughters turned and walked into the roses and faded from sight as they entered the dark shadows of the trees. The lady in blue, whose name they never did learn faded and vanished from their sight leaving the two of them there. Soon they fell asleep again and didn’t wake up again until morning. The sound of birds chirping in the trees woke them and they sat up to see the clearing was gone and had been replaced with a slight widening of the trail they had been running on. The stood and looked around and started slowly back down the way they had come when Matthew stopped and stooped to pick up something from the ground. He handed Mark the flower that Mark had picked, the yellow one, and he kept the red one he had picked. They both smelled the roses one more time, put them in the pocket of their shorts and jogged back the way they had come without looking back or talking about the strange night they had just had.

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Vacation & Writing

I’m on vacation and visiting family in Alabama. One of the great things about being in Alabama over Iowa right now is that it’s much warmer. I had to get that out of the way first.

I’ve started writing book 2 of my /Drive series, trilogy, whatever and while it’s not going as fast as I’d have liked it’s going well. My word counts are okay, my characters are familiar and good to see again. I’ve missed them since I last read/edited/wrote Jump/Drive.

I’d be going along better if I had a better idea of  how to get where I’m going. I know how I wanted to start and I know what’s coming up but the bit right in between… I’m not sure what to do with that part. I’m toying with the idea of just skipping it and talking about it in the later bits. I didn’t have any real-time gaps in the first one so it’ll be different stylistically than the first one if I do that but I think I’m okay with that. Knowing minute by minute what every character is doing isn’t necessarily exciting… it’s why I haven’t seen The Hobbit. I really didn’t want to watch them walk. I think I should learn from that in this book and not show the walking but cut to the bits where something interesting happens.

I just got a call. Evidently everybody’s up now. While the voice mail didn’t actually say I should go join them it did tell me where they were so perhaps that was implied.

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Pardon the dust

Google announced that they were removing Google Reader because either not enough people were using it or they weren’t making money off it or it was too many resources… if nobody was using it how can it use too many resources? It’s not making money because unlike GMail & Google+ it was never monetized. They didn’t TRY to make money off it.

So, I’ve exported my blogger blog from blogger, which is owned by Google onto this one which is owned by me. I very much doubt Google is going to close blogger any time soon, or ever really, so don’t anybody think they’re even considering it. I don’t believe they are. But, that being said… I did want a back-up somewhere and it seemed like having it here where all my other words are made sense.

So, pardon the mess. It’ll settle down soon. I imagine if you read my blog through Google Reader I just blew your stuff up.

Now, what do I do about using feedburner to serve my RSS?

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Preachy? Do I wanna be that guy?

I got a review of Jump/Drive over the phone where I was asked if my next book was going to be as preachy as my first book. And while I hadn’t thought of it as preachy I get that it was described that way. Maybe I should have left the Author’s Note out of it?

Do I want Hard/Drive, the second book, to be the same way? I thought the story… let me start over… I think the story should trump the author’s note.

If the Author’s Note is leaving a preachy-taste in the reader’s mouth is that a good thing? I mean it’s a thing, obviously. But is it something I’m going for?

I enjoy the Author’s Notes in Stephen King’s books and in the past I really liked them in Piers Anthony’s stuff as well. I haven’t read any of his in years but I really feel like I get to know the author from the notes in a way that I don’t get to know them just reading their book. Honestly, I was trying to go for that in my Author’s Note but it came out as preachy. At least to one person.

That’s really bugging me. Do I want to be that guy? Does anybody buy books after being preached to in the first one? Am I hurting myself & my sales? Is the Author’s Note stopping people from recommending my book to other people?

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Too much?

I’m in the planning stage of book 2, Hard/Drive, and am doing interviews of people for research and I’m getting ready to write it starting in April. My original idea for the story had two parts, and the more I think about it the A & the B story lines don’t fit well together and they’re both kind of big. I think I’m going to have to break my idea(s) into two books which is cool.

It means I’ll have a working idea that I’ve done some thinking about and research on for book 3 that I can foreshadow in Hard/Drive. I like that idea. I’m finding seeds of Hard/Drive as I read Jump/Drive again to get things about the characters down in my notebook so I don’t contradict myself in book 2. I’m not a fan of continuity errors in TV shows and don’t imagine I’d like it any better in one of my books.

Who knew I’d have to re-read my book to know what happened or what color someone’s hair is? I wrote the thing! How would I forget? Surprisingly, to me at least, I did.

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In which I talk about Book 2.

Earlier this week I announced the title to the next book in my /Drive series. Hard/Drive will be book two and take place a couple months after the events in Jump/Drive. (It’s a safe assumption that all links to amazon.com are affiliate links where if you buy something from them after clicking on a link on my site I’ll get a nickel or two. It doesn’t increase the price of the product but does help me with the costs of hosting this blog and I appreciate it.)

I’ve been outlining a bit and moving character descriptions and location descriptions over into Scrivener as well as doing some interviews of locals who will know some of the history and goings on that I’ll be talking about in the locations here in the book. My intent is to get the book going by April at the latest. I’ll keep you posted on how it goes. I’m pretty excited about what’s going to go on in Hard/Drive and hope you are looking forward to the further adventures of John, Caleb, and Devon.

 

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Which was worse? Prison or Group home for kids?

I’m doing some research for my next book and was talking to a friend of mine who recently got out of prison for something drug related. I’ve known him since he was ten or so and he was always an angry kid and was in and out of group homes for kids. Kid jails. Homes for wayward boys. I don’t know what they’re called. Here we called it “The boys ranch.” I’ve talked to him about his time at prison and I have a feel for what his prison experience was like.  Today was the first time I ever asked him about his time at the boy’s ranch.

“So, compared to Anamosa, one of Iowa’s two maximum security prisons, which was worse? The boy’s ranch or prison?”
Without hesitation, and emphatically he answered, “The boy’s ranch. It was terrible. The other kids there were animals and the cops (He calls all guards and employees of prisons regardless of the age of their guests cops.) were more abusive and mean at the boy’s ranch.”

He talked about kids torturing & bullying each other behind the cops’ backs and he talked about guards who would slam the kids to the floor or walls saying they were “restraining” them but they’d taunt them before and after with threats of violence against them the next time they need to be “restrained.”

“Some of the kids needed it, but if they were having a bad day you were just as likely to be thrown against the wall because of something someone else did as not. Some of the kids would piss all over themselves so when they got tackled or taken down they would at least get pee on the cops because they couldn’t do anything else. You can’t fight back or it’s worse for you.”

We talked for almost an hour and he was willing to talk about it and didn’t seem to be embellishing  His stories matched what I’d heard from an old employee of the place (Who I plan to interview as well later if he will.) At the end I asked him a question that was important to me now. Remember I knew him then, before he went to that place that sounded, by all accounts, like it should have a lot more cameras and be viewed off site by someone with some authority and no connection to the employees there.

“Thinking back to back then and how angry you were. Is there anything anyone could have done? Anything I could have done or your parents could have done that would have made a difference to you? Were you wanting something you weren’t getting or… what could we as adults have done so you wouldn’t have wound up there? Anything?”

“I was really angry all the time. I lashed out all the time. I honestly don’t know if there was anything that would have helped or stopped me from going there. Maybe if I’d had more friends or something that I could talk to, but I wouldn’t talk to them and I pushed my friends away all the time. I’d get mad at them and we wouldn’t just fight and get back together. I’d go thermonuclear on them and burn the bridges. Then I’d blame them for it.” 

“You’re older now. You’ve gone through some anger management classes and I see sometimes on Facebook you go from being like we are right now, calm and laughing and in a good mood to really pissed at the world and lashing out again. If I see that should I call? Would you call me? What can we do to help? We know the pattern from before that this winds up with you in jail. I’m not saying if you go away it’d be my fault. You’re responsible for how you react to things. I may make you mad, but what you do in reaction to that is on you. But is there anything I could do to help? Or should I just shut up, leave you alone and let you work through it?” 

“I’ve talked to Mom about going to get some more anger management classes. I’m still on her insurance so I should go while I can afford it. But you can’t do anything. I don’t really think calling’s a good idea. I don’t want to do something to mess up our friendship. You’re the only person who has never let me down. You’ve always been there for me and if you can’t do something you say it. You don’t break your promises. That means a lot. I wouldn’t want to mess that up. I mainly just need to get over it. Usually I go to sleep and it’s better the next morning. You’ve done plenty for me. I couldn’t ask for more from anybody.” 

“Well, the last thing and I’ll stop. You’ve been really good at calling me if you’re at a place where you decide you’re in danger of making bad decisions, like that apartment where when I dropped you off I said, ‘This is a pretty druggy neighborhood. You sure you should be here?’ and you called me at 2 in the morning that night asking for a ride. You are never bothering me when you make those calls. Honest. I won’t tell you what you should or shouldn’t do. You know that better than me and I’m not your mom. If I think it’s a bad place I’ll say it but I won’t stop you. But I do want you to promise that if you’re in one of those situations you’ll call me. Don’t think you’re bugging me or that you’re imposing. You’re not.”

He said he’d call. He really is a good kid and I wish only the best for him.

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Field Trip down Memory Lane to 1984

When I think of Shakespeare I think of the tenth grade when some of our class took a bus up from Mannheim Germany up to Stratford upon Avon in England and spent part of a week there watching three of Shakespeare’s plays in the town itself. I remember the bus trip up only because of the pictures the teacher took while we were there and on the trip back. It was 1983 or 1984. I have both years written on the backs of the pictures. The cold war was going strong. There were two Germanys. Maggie Thatcher and Reagan were best of friends in a weirdly successful three-way with Germany’s Helmut Kohl.
What I knew about Shakespeare I’d learned reading Romeo & Juliet in the same teacher’s class that was running us up to England to take in some more of the bard’s work. I think we’d watched a movie of it, but it was the early 80′s so Leonardo DiCaprio didn’t feature at all.

The first play we saw was Taming of the Shrew and it was a very traditional version with period costumes and was exactly what I thought a Shakespeare place should be. I was part way back in the theater and could see the whole stage really well. I loved plays. I’d seen some in the past but nothing like this. There weren’t mics. These people projected. They filled the entire theater with their voices and presence. When watching TV, as the show starts I’m aware of the edges of the television itself. If it’s a good one show, I quit noticing the TV and my field of vision, my attention really, becomes just that little screen on the idiot box. This play was like that. I was hooked. We all were. The archaic words, the dated insults, they all washed over us and, like a riptide, pulled us back into them, into the play.

The next night was NOTHING like the first night. I’d never heard of the play showing the next night. It was As You Like It and I had no idea what it was about other than our teacher’s synopsis. When we arrived at the theater our teacher went to the window and came back with tickets, “Want to move closer?” Of course I did! We wound up stage right in the second row. I could have reached out over the heads of those in front of us and touched the stage. They were, with the exception of the row directly in front of us, the WORST seats in the house. They were awesome! The play itself was completely different from a traditional performance. The costuming was all bright neons & shockingly garish colors. The sets were sparse, minimalist, and the play was carried by the language. At first I was appalled but then it happened again and the words reached out and pulled us in. I wasn’t the only one that noticed this. We commented on how startling it was at first and then how we quit noticing the costuming and the lack of a set when compared to the comparatively lush set the night before.

What was most shocking to me was the amount of SPIT flying from these performers’ mouths! They were projecting. They were reaching the very back rows of the theater with their voices and they weren’t yelling. They were projecting! It’s the first time I’d ever seen the difference up close, and seriously… it was close. And when they’re projecting their lungs are really blasting out the air and carried on their wind was a copious amount of spit. It went everywhere and I had an excellent seat to see it spraying the stage and each other in the stage lights. All safely on stage right… they never looked at us to talk! The front row though? Yeah. They should have worn plastic sheets like at a Gallagher show.

The last play was Merchant of Venice and my seats weren’t memorable and honestly, neither was the production. I was jaded by then, having seen two plays already. I remember only that they talked about a Jew a lot in the play and I was surprised by that.

That trip was where I figured out that the theater wasn’t boring and that a good story wasn’t about the sets or the trappings or the things around the story. A story, a good story, is about the words, the story, and interesting, memorable characters. Nothing else matters. I don’t know if that’s what they meant for us to learn while watching As You Like It but it is what I did learn. They’d done everything they could to make that play as un-Shakespearlike as they could without messing with the words, the story, the characters, and it was just as riveting as the more traditional displays.

I’m a writer now and I try and remember the lesson of that trip and focus not so much on the stage setting as on the words, the story, and the characters. Those are the things people remember. Those are the things that bring people back for more. I’m not saying I’m Shakespeare, but I am saying I could do worse than try and learn from someone who did an amazing job at making me forget that decades later while people messed with his sets & costumes it was his words that would transported me, us, to where he wanted us to go.

Oh, and this picture? Please… forgive the unfortunate hair. Really. I couldn’t do a thing with it and didn’t have a clue what to try.

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So, where DID I work?

One of the things I’ve never talked about online is where exactly I worked.

There were a variety of reasons for it. One of them was that the company adopted a pretty draconian social media policy so I didn’t talk about it because it wasn’t worth my job for people to know and sometimes I’d say something that might have been considered less than complimentary and that is/was, under the policy, a fireable offense. Which is funny. Freedom of speech is the foundation of the business the company I worked for engaged in. Without it they’d have the doors shuttered in days, hours maybe.

I worked for Romantix. When I started it was Goalie Entertainment, an innocuous name that gave no indication that it was one of the leading adult book store chains in the country. I started as an overnight clerk in a little store in Fort Dodge, Iowa and worked my way up to Regional Manager with 25 stores in a bunch of states (East of the Mississippi plus Texas) and then through the company being sold and then the name change and the stores & areas being redisctricted, torn apart & sewn back together over the years I wound up being the Central Iowa DM. That included Missouri as well as it happened. Our District names are always more serving suggestions than hard and fast rules.

So, yeah. Romantix is the answer to the longest running question I’ve not answered for the longest time here online.

As you can imagine, with 19 years of time in the adult retail end of things there is a book’s worth of stories I could tell but I probably won’t. As surprising as it will be to most to hear this, the adult part of the business wears off pretty fast. It’s not as interesting, funny, etc as you might think. Sure, that first week or month, I was seeing things I’d never seen before… but the new wears off fast and soon when I was looking at a wall of erm… toys, I was seeing where it needed to be straightened or worked. I’d notice good selling items in the wrong spot and slow movers in the prime space. The interesting wore off of the product long ago.

One of the questions I’d be asked most by customers was, “You must get real freaks in here huh?” Oddly, they never seemed to include themselves in that group. And mostly no, I didn’t get a lot of freaks. I got normal people either in couples or singly in looking for something they could have fun with either together or by themselves. The thing about the “freaks” was in MY stores I knew who they were… when you run into them out in the world… yeah, they look just like everybody else.

Maybe there’ll be stories later but I doubt it. Not because there aren’t some funny ones, there are, but because honestly… it seems a little disrespectful to violate the implied trust my customers were giving me when coming to my stores to shop. They expected discretion and they’ve always gotten it. I don’t see that changing now just because I don’t work there any more. To tell tales now would be tacky and rude I think.

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